FCPX基礎操作
掌握磁性時間軸，提升影片製作效率
Mastering the Magnetic Timeline: Boosting Video Editing Efficiency
影片剪輯軟體中，目前我只用過微軟早期的Microsoft Windows Movie Maker、威力導演和Final Cut Pro，只能說用過Final Cut Pro就回不去其他的剪輯軟體，畢竟他輸出影片的速度，和操作上的便利性，真的相當優勢，其中這個磁性時間軸功能，相當的方便，不過我也常因為這樣不小心在刪除某些不要的片段時，不小心將它連結的其他片段給一併刪除，還蠻常在輸出影片後才發現，所以要時常注意自己片段的完整性。
Among video editing software, I've used Microsoft's early Windows Movie Maker, PowerDirector, and Final Cut Pro. Once I started using Final Cut Pro, I couldn't go back to other software. Its export speed and user-friendliness are truly superior. Among its features, the magnetic timeline is exceptionally convenient. However, I often accidentally delete connected clips when removing unwanted ones, which can be frustrating.
影音軌中主要的影片片段故事線為Primary Storyline，之後可能還會延伸有Secondary Storyline，但無論增加多少片段，都是連結到Primary Storyline上，而影片上方的片段會蓋住下方片段，所以只要沒有調整大小，有可能合併起來的影片內容只會有個別片段的聲音，但畫面有可能會被遮蓋掉，磁性時間軸不只適用於影片片段，聲音和字幕也能以同樣的方式連結到主時間軸上。這對於調整整個影片的節奏和氛圍非常方便。例如，當我想將一段旁白與對應的畫面同步時，只需將它們連結在一起，然後一起拖動即可。不過如果想獨立只移動某個物件，只要按住Command+option再點選片段後面一點的位置，連接點就會改到點選的位置，這時候移動想拖曳的片段，就可以單獨移動了，除了改連結的位置也可以點選鍵盤的數字1旁的`鍵(重音鍵)，也可以避開連結的效果，當按住這個鍵的時候移動，滑鼠旁會出現一個小圖示，代表可暫時無視連結功能。
The primary storyline in the video track is the main sequence of clips. Secondary storylines can be added, but they all connect to the primary one. Overlapping clips will result in the upper clip obscuring the lower one. If you don't adjust the size, the combined video might only have the audio from individual clips, while the visuals could be covered. The magnetic timeline isn't just for video clips; audio and subtitles can be linked to the main timeline in the same way. This makes adjusting the overall pace and atmosphere of a video very convenient. For example, to synchronize a narration with the corresponding visuals, simply link them together and drag them as a unit. However, if you want to move a specific element independently, press Command+option and click slightly behind the clip, and the connection point will move to the clicked position. Then, when you move the clip, it will move independently. Alternatively, you can press the ` key (grave accent) to temporarily disable the connection. When you hold down this key and move a clip, a small icon will appear next to the cursor indicating that the connection is temporarily ignored.
關於FCP的濾鏡
Regarding FCPX Filters and Chroma Keying
可以選擇各種喜歡的特效濾鏡，也能調整特效的細節，像是暈邊的深淺和中心點，而且每一個片段可以加入多個特效，不僅限於一個，貼心的是，如果調整好了一個片段的特效，後續的片段也想比照使用，可以使用快速鍵command+C就可以複製了，之後再點選option+commavd+C就可以貼上複製的特效片段。
Final Cut Pro X offers a wide variety of effects filters that allow you to customize your videos. You can adjust details such as the depth and center point of a vignette, and even apply multiple effects to a single clip. If you've perfected the effects on one clip and want to replicate them on others, simply use the keyboard shortcut Command+C to copy and Option+Command+V to paste the effects.
FCPX的去背功能非常強大。如果你想把一段影片中的前景從乾淨的背景(背景顏色如藍色、綠色、黑色或白色)中分離出來，比如把人物從綠幕中摳出來，那麼Effect的Keyer特效（也就是「色鍵特效」）就是你的最佳選擇。你可以直接在檢閱器（監看視窗）中調整要去掉的顏色範圍，輕鬆地完成去背工作。
FCPX also excels in chroma keying. For clean backgrounds with a single color like blue, green, black, or white, you can use the Keyer effect to isolate the foreground from the background. By adjusting the color range in the viewer, you can easily remove the background.
甚至也能多層交疊來合成不一樣的片段。若背景沒有這麼乾淨，除了裁剪想要留存的範圍，還有使用手繪遮罩以外，還需要加上使用sample color來重新定義要去掉的顏色，及重新調整Keying選項中的數值來優化想要合成的片段(有可能想要留存的片段會因為去背的動作很影響的原有的色調)
You can even layer multiple clips to create complex compositions. For more complex backgrounds, besides cropping and using hand-drawn masks, you might need to use a sample color to redefine the color to be removed and fine-tune the Keyer settings to optimize the composite. (Sometimes, the foreground can be affected by the chroma keying process.)
Keyframe：動畫製作
Keyframe的基本概念
簡單來說，Keyframe就是一個標記，標記了動畫在某一個時間點的狀態。
在影片編輯軟體中，我們可以在時間軸上為想要改變的屬性（如位置、大小、透明度等）設置Keyframe，然後調整這些Keyframe的值，就能夠產生動畫效果。
在兩個Keyframe之間，軟體會自動計算出中間的變化過程。通過調整Keyframe之間的時間間隔，可以控制動畫的速度。
實現複雜的動畫效果： 通過在時間軸上設置多個Keyframe，可以實現各種複雜的動畫效果，如彈跳、旋轉、變形等。
Keyframe的應用場景
文字、圖像、特效動畫
Keyframe的常用屬性
Transform（變形）：
Position（位置）
Scale（縮放）
Rotation（旋轉）
Skew（傾斜）
Opacity（透明度）
Color（顏色）
Anchor Point（錨點）
Keyframe的動畫曲線
Linear（線性）： 變化速度恆定。
Ease In（緩入）： 開始變化緩慢，結束變化快。
Ease Out（緩出）： 開始變化快，結束變化慢。
Ease In/Out（緩入緩出）： 開始和結束變化慢，中間變化快。
Custom（自定義）： 可以通過手動調整曲線來實現更複雜的動畫效果。
片段覆蓋與取代詳解
Clip Overwrite and Replacement Explained
想要替換時間軸上某個片段，只需將新片段從事件區拖曳至欲取代位置，並鬆開滑鼠即可。此外，您也可以透過快捷鍵「Shift+R」來快速完成此動作。首先，點選要被取代的片段，接著再選取新的片段，按下快捷鍵即可。
To replace a clip on the timeline, simply drag the new clip from the bin to the desired location and release the mouse button. Alternatively, you can use the shortcut "Shift+R" for a quicker replacement. First, select the clip you want to replace, then select the new clip, and press the shortcut.
取代模式/Replacement Modes:
Replace from Start/Replace from End
從開頭替換/從結尾替換
這兩種模式會根據被取代片段的長度，自動調整新片段的長度。
These modes will automatically adjust the length of the new clip based on the length of the replaced clip.
Replace from Start
新片段的開頭會與被取代片段的開頭對齊。
The beginning of the new clip will align with the beginning of the replaced clip.
Replace from End
新片段的結尾會與被取代片段的結尾對齊。
Replace from End: The end of the new clip will align with the end of the replaced clip.
注意事項： 如果新片段的長度不足以取代原片段，系統會跳出警告，提醒您重新調整片段長度。
Note: If the new clip is not long enough to replace the original clip, the system will issue a warning, prompting you to readjust the clip length.
Replace with Retime to Fit
調整速度以填滿
此模式允許您使用不同長度的片段來取代原片段。
This mode allows you to replace the original clip with a clip of a different length.
系統會自動調整新片段的速度（加速或減速），以填滿原片段的時間範圍。
The system will automatically adjust the speed of the new clip (speed up or slow down) to fill the time range of the original clip.
例如，您可以將一個5秒的片段取代一個10秒的片段，系統會將5秒的片段放慢速度，以填滿10秒的空檔。
For example, you can replace a 10-second clip with a 5-second clip, and the system will slow down the 5-second clip to fill the 10-second gap.
為了在片段之間創造更動態的轉場，可以考慮使用L Cut和J Cut。L Cut是指將一個片段的音訊延伸到下一個片段，而J Cut則相反，先播放下一個片段的音訊，然後再顯示畫面。例如，如果你想營造懸疑的氛圍，可以使用J Cut先播放門嘎吱作響的聲音，然後再顯示門開的畫面。這些技巧與淡入淡出效果結合使用時，效果會更加顯著。
To create more dynamic transitions between clips, consider using L Cuts and J Cuts. An L Cut involves extending the audio from one clip into the next, while a J Cut does the opposite, starting the audio of the new clip before the video. For example, if you want to build suspense, you could use a J Cut to introduce the sound of a creaking door before the visual of the door opening. These techniques, when combined with fade-in and fade-out effects, can significantly enhance your video editing.
可以適時在影片中使用這樣的技巧，讓影片剪輯更加加分。
By incorporating these techniques into your videos, you can elevate your editing skills and create more engaging content.
Replace and add to Audition
Replace and add to Audition 提供了一個很方便的功能，讓我們在製作影片時可以有多個畫面的選擇。你可以把這些畫面都暫時放在同一個位置，等到確定要使用哪一個時，再直接替換掉。這樣一來，就不需要每次都到檔案夾裡去找尋不同的畫面，節省了很多時間，尤其是在製作需要反复修改的影片時，這個功能更是實用。
The 'Replace and add to Audition' feature provides a convenient way to manage multiple video clips during the editing process. You can temporarily place all clips in the same location, and then easily swap them out when you've decided which one to use. This saves a significant amount of time, especially for projects that require frequent edits.
進階技巧：片段變形
Advanced Techniques: Video Clip Transformation
FCP不僅能簡單地替換片段，更提供了強大的片段變形功能，讓我們能自由地調整素材的大小、位置和角度，創造出豐富多樣的視覺效果。
Final Cut Pro (FCP) offers more than just simple clip replacement. Its robust clip transformation feature allows for unparalleled flexibility in adjusting the size, position, and angle of your footage, enabling you to create a wide array of visual effects.
FCP中若想在一個片段中呈現多段影片的話，則需要進行畫面影片的大小調整，避免被其他片段覆蓋掉，可以運用的功能如下：
To overlay multiple video clips within a single frame in FCP, it's essential to adjust the scale of each clip to prevent overlap. Here are the primary tools at your disposal:
Transform： 通過拖動邊角或邊緣的藍點，可以對素材進行縮放、旋轉和移動。利用Shift鍵可以實現不固定比例縮放。
Transform: By dragging the blue corner or edge points, you can scale, rotate, and reposition your footage. Holding the Shift key allows for non-uniform scaling.
Crop：提供更精準的裁剪功能，包括Trim（裁剪部分畫面）、Crop（選取畫框）、Ken Burns（照片動態縮放）和Distort（扭曲畫面）。
Crop: This tool offers more precise cropping options, including Trim (cutting a portion of the frame), Crop (selecting a frame), Ken Burns (dynamic zooming of photos), and Distort (warping the image).
片段變形是FCP中一個非常強大的功能，它能幫助我們創作出更具視覺衝擊力的作品。通過合理地運用變形工具，我們可以實現各種創意效果。
Clip transformation is a powerful feature in FCP that can elevate your video production to new heights. By skillfully utilizing these tools, you can achieve a wide range of creative effects.
轉場特效：讓你的影片更流暢
Transitions: Making Your Video Flow Seamlessly
在影片剪輯中，「轉場」就像是電影場景之間的橋樑，讓不同畫面之間的切換更自然、更有連貫性。
In video editing, a "transition" serves as a bridge between different shots, making the switch from one scene to another more natural and cohesive.
最常見的轉場特效：交錯融合 (Cross Dissolve)
The Most Common Transition: Cross Dissolve
什麼是交錯融合？ 想像一下兩張圖片，一張慢慢地淡出，另一張同時慢慢地淡入，兩張圖片在中間重疊了一小段時間。這就是交錯融合。
What is a cross dissolve? Imagine two images: one gradually fades out while the other simultaneously fades in. For a brief moment, both images overlap. This is a cross dissolve.
進階技巧：速度變形
Advanced Technique: Speed Ramp
除了可以基本調整片段撥放的速度，還有一個讓影片片段的速度在一段時間內平滑變化的功能「Speed Ramp」,可以決定一個片段從靜止慢慢變正常速度，或是從正常速度慢慢變成靜止的畫面「選項to 0%」或「from 0%」。
To 0%： 將片段從正常速度逐漸減速至靜止。
From 0%： 將片段從靜止狀態逐漸加速至正常速度。
Beyond the basic adjustment of clip playback speed, there's a feature called "Speed Ramp" that enables you to smoothly vary a clip's speed over time. You can choose to have a clip start from a standstill and gradually accelerate to normal speed ("from 0%") or decelerate from normal speed to a stop ("to 0%").
選擇這些選項後就可以看到片段的速度分為很多段，From 0%可以看到速度慢慢加速為正常速度的標示，如果片段中只有一小段需要改變速度效果，可以依靠I或O鍵來選擇In、Out點，而緩衝的速度都是可以自由調整的。
When you select these options, you'll see the clip's speed divided into multiple segments. For "From 0%", you'll see a visual representation of the speed gradually increasing to normal speed. If you only need to change the speed of a specific portion of a clip, use the "I" and "O" keys to set the In and Out points. The acceleration and deceleration rates can be adjusted as needed.
新建複合片段
Create a new compound clip
當要合併兩個不一樣的片段時，只要選取想合併的片段，點選option+G就可以合併成為一個片段，在移動上會比較方便。 By selecting the clips you want to merge and pressing Option+G, you can combine them into a single clip for easier manipulation.
Final Cut Pro 多機同步剪輯教學
Final Cut Pro Multi-Camera Editing Tutorial
想用 Final Cut Pro 剪輯多個攝影機同時錄製的影片嗎？只要把影片轉成適合的格式，然後用 FCP 的「多機剪輯」功能，就可以讓電腦自動幫你把影片同步。接著，你就可以像看電視一樣，隨時切換不同的鏡頭，做出專業的影片效果！
Want to edit footage from multiple cameras simultaneously using Final Cut Pro? By converting your clips to an optimized or proxy format and using FCP's multi-camera editing feature, you can let the computer automatically sync your footage. Then, you can switch between different camera angles just like watching TV to create professional-looking videos!
1. 準備工作：
Preparation:
影片格式轉換： 將所有要同步的影片轉換成「Optimized」或「Proxy」格式，以加快剪輯速度。
Format Conversion: Convert all clips you want to sync to "Optimized" or "Proxy" format to speed up editing.
選取影片： 在 FCP 中選取兩段同時錄製的影片。
Clip Selection: Select two clips in FCP that were recorded simultaneously.
2. 建立多機剪輯：
Creating a Multi-Camera Clip:
New Multicam Clip： 點選「New Multicam Clip」建立一個多機剪輯。
New Multicam Clip: Click "New Multicam Clip" to create a multi-camera clip.
自動同步： 打開「Use Automatic Settings」並勾選「Use audio for synchronization」，讓 FCP 自動根據音訊來同步不同攝影機的影片。
Automatic Sync: Enable "Use Automatic Settings" and check "Use audio for synchronization" to let FCP automatically sync clips based on audio.
3. 開始編輯：
Start Editing:
拖曳到時間軸： 將建立好的多機剪輯拖曳到時間軸上。
Drag to Timeline: Drag the created multi-camera clip to the timeline.
選擇角度： 點選「Active Video Angle」或「Active Audio Angle」來選擇要顯示的攝影機角度。
Select Angle: Click "Active Video Angle" or "Active Audio Angle" to select the camera angle you want to display.
調整切換點： 將播放磁頭移到要切換鏡頭的位置，然後調整兩個片段之間的邊界，就可以精準控制鏡頭切換的時間點。
Adjust Cut Points: Move the playhead to the position where you want to switch cameras and adjust the boundary between the two clips to precisely control the switching time.
Precision Editor精準編輯器：毫秒不差的剪輯
Precision Editor: Millisecond-Perfect Editing
這個功能主要是當我們需要對片段的起點和終點進行細微的調整，但在執行這個功能之前須確認Editing「編輯」中的Show detailed trimming feedback「顯示詳細修剪回饋」是打開的，開啟這個功能後就可以很明顯的發現Viewer的畫面一分為二，左邊的畫面是前一個片段的最終畫面，右邊是下一個片段的第一幀。
那精準剪輯的方式就是只要在片段中間點擊滑鼠左就，就可以進入Precision Editor(精準編輯器)，在這裡可以直接選取片段並移動改變結尾點或進入點。
精準編輯器中的灰色調整點代表著片段之間的連結。點擊灰色調整點，你就可以選擇要修改的連結片段，並在精準編輯器中進行更細緻的調整。
如果你想要回到傳統的時間軸編輯模式，只需雙擊灰色調整點即可。
To fine-tune the in and out points of a clip, ensure that "Show detailed trimming feedback" is enabled in the Editing mode. This splits the Viewer into two: the previous clip's last frame on the left and the next clip's first frame on the right.
Simply left-click anywhere within a clip to enter the Precision Editor. Here, you can directly select and move the end point or in point of the clip.
The gray adjustment points represent the connections between clips. Clicking on a gray adjustment point allows you to select the connected clip and make more precise adjustments within the Precision Editor.
To return to the traditional timeline editing mode, simply double-click the gray adjustment point.
音訊調整的藝術，打造完美音效
The Art of Audio Adjustment: Crafting the Perfect Sound
音訊調整是影片製作中不可或缺的一環，透過細緻的調整，能讓影片的音效更具感染力。
Audio adjustment is an indispensable part of video production. Through meticulous adjustments, we can enhance the impact of a video's soundtrack.
除了直接調整音訊的分貝大小，我們還可以利用淡入淡出效果，讓音效的出現與消失更加自然。常見的淡化方式有：
Beyond simply adjusting the overall volume level, we can employ fade-in and fade-out effects to make the appearance and disappearance of sounds more natural. Common fade techniques include:
線性淡化： 音量以直線的方式逐漸增大或減小，變化速度固定。
Linear fade: Volume increases or decreases linearly, with a constant rate of change.
S曲線淡化： 音量變化曲線呈S形，開始和結束部分變化較慢，中間部分變化較快，聽起來更加自然。
S-curve fade: The volume curve resembles an S shape, with slower changes at the beginning and end and a faster change in the middle, resulting in a more natural sound.
+3dB淡化： 淡出時變化較慢，淡入時變化較快，是FCPX的預設選項。
+3dB fade: Fades out slowly and fades in quickly, and is the default setting in FCPX.
-3dB淡化： 淡入時變化較慢，淡出時變化較快。
-3dB fade: Fades in slowly and fades out quickly.
FCPX內建多種音效， 可以直接套用在影片中，省去尋找外來音效的時間。使用者可以根據影片的風格和內容，選擇適合的音效，並搭配上述的淡入淡出技巧，打造出獨特的音效效果。
FCPX comes with a variety of built-in sound effects that can be directly applied to videos, saving users the time of searching for external sound effects. Users can choose the appropriate sound effects based on the style and content of their video and combine them with the aforementioned fade techniques to create unique sound effects.
透過調整音訊大小聲、淡入淡出方式，以及善用FCPX內建音效， 我們可以讓影片的音效更具層次感，更能吸引觀眾的注意力。
By adjusting volume levels, using fade-in and fade-out effects, and leveraging the built-in sound effects in FCPX, we can create a more layered and engaging audio experience for viewers.
複合聲音處理：打造立體音場
Composite Sound Processing: Crafting a Stereo Sound Field
除了基本的音量調整和淡入淡出效果外，Final Cut Pro(FCP) 還提供了豐富的工具，讓我們能更精細地控制音訊，創造出具有深度和層次的立體音場。
Beyond basic volume adjustments and fade-in/fade-out effects, Final Cut Pro(FCP) offers a rich set of tools that allow for more precise audio control, creating a stereo sound field with depth and layers.
同步剪輯與聲音分析Synchronized Editing and Audio Analysis
Synchronize Clips： 這個功能類似於Multicam Clip，可以利用音訊訊號來自動同步不同片段。這對於多機位拍攝或需要精準對位的音訊素材特別有用。
Synchronize Clips: Similar to Multicam Clips, this feature uses audio signals to automatically synchronize different clips. This is particularly useful for multi-camera shoots or when precise audio alignment is required.
精準的音訊定位Accurate Audio Positioning
Panning： 通過Pan功能，我們可以將音訊在左右聲道之間移動，創造出更具空間感的音效。例如，將對白置於中置，而環境音效則分佈於左右聲道，可以營造出更真實的聽覺體驗。
Panning: By using the Pan function, we can move audio between the left and right channels, creating a more spatial sound. For example, placing dialogue in the center and ambient sounds in the left and right channels can create a more realistic listening experience.
Surround： FCPX 也支援Surround音效，允許我們將音訊定位於更廣闊的空間中。
Surround: FCPX also supports surround sound, allowing us to position audio in a wider space. This is particularly useful for creating immersive sound effects in videos or games.
找到雜音片段
Locating the Noisy Clip
選取片段： 在時間軸上找到包含雜音的片段。
Select the Clip: In the timeline, locate the video clip that contains the unwanted background noise.
開啟音訊分析： 在片段檢視器的「音訊」分頁中，找到「音訊分析」這個選項，然後點擊旁邊的魔術棒圖示。
Activate Audio Analysis: In the clip inspector, navigate to the "Audio" tab. Find the "Audio Analysis" option and click on the magic wand icon next to it.
FCP自動分析
FCP's Automated Analysis
FCP會自動分析這個片段的音訊，找出其中的雜音成分。
FCP will automatically analyze the audio within the selected clip to identify and isolate the noise components.
確認分析結果
Verifying Analysis Results
分析完成後，你會看到一個紫色的勾勾，表示FCP已經成功識別並標記了雜音的部分。
Once the analysis is complete, a purple checkmark will appear, indicating that FCP has successfully detected and marked the noisy sections of the audio.
FCP 音效處理教學
FCP Audio Processing Tutorial
FCP 提供了許多強大的音效處理工具，讓我們能輕鬆地調整影片的聲音，讓它聽起來更清晰、飽滿。
Final Cut Pro offers a robust suite of audio tools that allow you to easily adjust the sound of your videos, resulting in clearer and more engaging audio.
等化器 (Equalization, EQ)：
什麼是 EQ？ EQ 就好像一個音頻的調色盤，能讓我們調整不同頻率聲音的強度。
What is EQ? Think of EQ as a sound equalizer; it allows you to adjust the intensity of different frequencies within the audio spectrum.
怎麼用？ 透過調整 EQ 的頻率和增益，可以讓聲音變得更明亮、更低沉，或是加強特定頻段的聲音。例如，你可以加強人聲的頻段，讓對白更清晰。
How to use it? By adjusting the frequency and gain of your EQ, you can make sounds brighter, darker, or boost specific frequency ranges. For instance, you can boost the mid-range frequencies to enhance vocal clarity.
人聲加強 (Voice Enhance)：
做什麼的？ 這個功能專門用來提升人聲的清晰度和飽滿度。
What does it do? As the name suggests, this feature is specifically designed to improve the clarity and fullness of human voices.
怎麼用？ 只需將這個效果套用在包含人聲的片段上，FCP 會自動調整相關參數，讓你的聲音聽起來更專業。
How to use it? Simply apply this effect to clips containing dialogue, and FCP will automatically adjust relevant parameters to make your voice sound more professional.
壓縮器 (Compressor)：
什麼是壓縮器？ 壓縮器可以將聲音的動態範圍縮小，讓聲音聽起來更平衡。
What is a compressor? A compressor reduces the dynamic range of an audio signal, resulting in a more even sound.
怎麼用？ 簡單來說，壓縮器可以讓聲音的音量差異變小，讓大聲的部分變小聲，小聲的部分變大聲，聽起來更舒服。
How to use it? In simpler terms, a compressor makes loud sounds quieter and soft sounds louder, creating a more consistent volume level.
對白處理Dialogue Processing
Dialogue： 對白是影片中最重要的音訊元素之一。將對白配置在中置通道，可以確保觀眾能清楚地聽到對白內容。
Dialogue: Dialogue is one of the most important audio elements in a video. Placing dialogue in the center channel ensures that the audience can clearly hear the dialogue.
FCP錄製旁白教學
Recording Voiceovers in Final Cut Pro
FCP（Final Cut Pro）內建了一項方便的錄製旁白功能，稱為「Record Voiceover」。 這個功能讓我們可以直接在軟體中錄製自己的聲音，並將它與影片同步。
Final Cut Pro (FCP) has a built-in feature called "Record Voiceover" that allows you to directly record your voice within the software and synchronize it with your video.
錄製設定
Recording Settings
輸入音量調整（Input Gain）： 這個選項可以讓你調整麥克風的收音大小，確保錄製的聲音清晰且不失真。
Input Gain: This option lets you adjust the microphone input level to ensure your recording is clear and undistorted.
監聽（Monitor）： 這個選項可以讓你邊錄邊聽自己的聲音。建議在使用耳機錄音時開啟，以避免麥克風拾取到喇叭的聲音產生回音。
Monitor: This option allows you to hear your voice as you record. It's recommended to enable this feature when using headphones to avoid feedback from the speakers.
倒數計時（Countdown to record）： 這個功能可以讓你設定一個倒數時間，讓你做好準備再開始錄音。
Countdown to record: This feature provides a countdown timer to give you time to prepare before recording.
靜音專案（Mute project while recording）： 這個選項可以在錄音時將影片的聲音靜音，避免背景音樂或音效干擾你的錄音。
Mute project while recording: This option mutes the video's audio during recording to prevent background music or sound effects from interfering with your voiceover.
物件追蹤：讓文字跟著動起來！
Object Tracking: Making Text Move with Your Footage
選取文字： 首先，選取你想要移動的文字。
Select the Text: Begin by selecting the text layer you want to animate.
開啟變形功能： 在 Viewer 左下角找到「變形」選項，點選它。
Activate the Transform Controls: In the Viewer, locate the "Transform" controls in the bottom left corner and click on it.
啟動追蹤器： 在變形選項中，除了「變形」之外，你還會看到一個叫做「追蹤器」的功能。
Engage the Tracker: Within the Transform controls, you'll find the "Tracker" option. Click on it to activate the tracking feature.
分析物件： 點選追蹤器旁邊的方框，然後將方框調整到你要追蹤的物體上，再按下「分析」。
Analyze the Target: Click on the small box next to the Tracker and position it over the object you want to track. Then, click "Analyze."
FCP 自動追蹤： FCP 會開始分析畫面中這個物體的運動軌跡。
FCP Initiates Tracking: Final Cut Pro will begin analyzing the movement of the object within the frame.
文字跟著動： 分析完成後，你會發現文字已經牢牢地黏在這個物體上，跟著它一起移動了！
Text Follows the Object: Once the analysis is complete, you'll notice that the text is now attached to the object and will move in sync with its motion.
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