我們時常接觸到一些歌曲中有著和諧動聽的曲目,都是使用不同的配器和編曲,而配器的搭配上也是一門學問,如何分配可不同的樂器演奏,來達成音樂作品的完整表現,其中包含的內容有樂器學、和聲學、對位學、配器法和編曲法。
We often come across songs that use different instruments and arrangements, and matching instruments is also a subject of study. How can different instruments be used to achieve the complete expression of a musical piece? Contents include musical instrumentation, harmony, positional order, instrumentation and arrangement.
其實就算在一首流行歌曲中,我們也可以常常看到這些技巧,有打擊樂器、鋼琴、古箏等,甚至流行歌手所唱的曲目中,也有不同人進行的和聲,進行合奏或合唱,而對位學就是多聲部中各聲部的獨立性和結合性,分為主旋律和伴奏聲部,進行和諧或不和諧的對位手法。
In fact, even in a popular song, we can often see these techniques using percussion instruments, steel drums, guzheng, etc., even in songs sung by popular singers, there are independent vocal progressions, ensembles or choruses. The study of opposition is the independence and cohesion of each vocal part among multiple vocal parts, divided into a melody and an accompaniment, and the opposing techniques of harmonious or discordant progressions.
對位手法也分為不同聲部在同一個方向進行相同的音程則稱為平行對位手法,相反的音程則是相反對位手法,或者模倣(一個聲部模仿另一個聲部的旋律或節奏),還有每個聲部相對獨立的自由對位來達到一個悅耳的作品音樂呈現。
The opposition technique is also called parallel opposition when different voices play similar intervals in the same direction, while opposing intervals are called antithetical opposition, or imitation (one voice imitating the melody or phrase of another), or the independent free opposition of each voice to arrive at a pleasing piece of music.
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